We tried a new concept in our local camera club this year: small special interest groups that would do a deep dive into one subject. The group would decide how, what, where, when and why, and also for how long. One of the groups I joined is looking at Fine Art, in all its forms, as a key to improving our own photography.
But first we had to decide what the heck is “fine art”? We’ve had several animated discussions in the past few months, even a field trip to our local art gallery. In the past, I’ve written about photography as art and thought that experience would help, but no. For all the “deep diving” on this subject, I’m not really much further ahead. Why is this so hard? Continue reading “On the Hunt for Fine Art”
It seems there is a long-standing debate around photographing other people’s work. It’s a simple debate: what exactly is the photographer creating if the photograph includes an object or structure that has been created by someone else?
This debate arises mostly in relation to works that exist in public spaces. The originating works may already be labelled “works of art” or may be labelled “architecture”, “edifice”, “structures”, “building”, “hardscape”, “figure”, “carving”, “casting” or any of many names that don’t necessarily assign an aesthetic value.
And yet all of it was imagined by someone, designed by someone, built by someone and placed on display. Even if the work has another function, such as a building, there was a creative effort expended to provide that space. If a photographer takes an image of it, presents it as their own creation and maybe makes a profit from it, is that right? Disclaimer: this is not a legal review. Continue reading “Photographing the Work of Others”
I had the pleasure yesterday of attending a presentation by Patrick Rochon, also known as Patrick the Light Painter.
There are many ways to express one’s creativity in photography and Patrick has chosen light as the medium for his expression. You might wonder what’s unique about that, since every photographer uses light. It’s how he uses it that sets him apart. Continue reading “Light Painting with Patrick Rochon”