Apart from my YouTube cruising, looking for interesting photography experiences and inspiration, I indulge in several subscription services that touch on everything from photographic history to how today’s technical developments influence photographic arts.
Recently, one of these subscription channels included a short discussion on how Instagram has influenced the way photographers approach their art. The premise was that Instagram has completely changed photography. Their argument: its technical requirements and this generation’s social norm of wanting instant gratification and continuous stimulation of the senses has resulted in a new standard for photography. What is that new standard? Continue reading “Too Much Insta in my Gram”
In my last post, I commented on my distinct lack of enthusiasm for the new mirrorless camera offerings from Nikon. Subsequently, both Canon and Fuji have also released new mirrorless cameras. Each one proudly publishes a fancy spec sheet, full of images of the camera bodies, accompanying lenses and their capabilities. Pages and pages of data.
In the past, this would have caused me to breathe more rapidly, excitement building, as I surveyed the options ahead. Not this time. Not for any of them. And I’ve been trying to figure out why. Continue reading “Focusing on What’s Important”
It seems there is a long-standing debate around photographing other people’s work. It’s a simple debate: what exactly is the photographer creating if the photograph includes an object or structure that has been created by someone else?
This debate arises mostly in relation to works that exist in public spaces. The originating works may already be labelled “works of art” or may be labelled “architecture”, “edifice”, “structures”, “building”, “hardscape”, “figure”, “carving”, “casting” or any of many names that don’t necessarily assign an aesthetic value.
And yet all of it was imagined by someone, designed by someone, built by someone and placed on display. Even if the work has another function, such as a building, there was a creative effort expended to provide that space. If a photographer takes an image of it, presents it as their own creation and maybe makes a profit from it, is that right? Disclaimer: this is not a legal review. Continue reading “Photographing the Work of Others”
One of the joys of photography is simply the chance to talk to other photographers. So many topics to indulge, so many experiences to compare. And of course, best of all, the chance to admire good work.
I had the pleasure yesterday of attending a talk at our local camera club by Kas Stone, a Canadian photographer based in Nova Scotia. In addition to her work as a landscape and nature photographer, she regularly teaches, holds workshops and speaks to groups like ours about the art of photography. Continue reading “Some Inspiration…”