Apart from my YouTube cruising, looking for interesting photography experiences and inspiration, I indulge in several subscription services that touch on everything from photographic history to how today’s technical developments influence photographic arts.
Recently, one of these subscription channels included a short discussion on how Instagram has influenced the way photographers approach their art. The premise was that Instagram has completely changed photography. Their argument: its technical requirements and this generation’s social norm of wanting instant gratification and continuous stimulation of the senses has resulted in a new standard for photography. What is that new standard? Continue reading “Too Much Insta in my Gram”
We tried a new concept in our local camera club this year: small special interest groups that would do a deep dive into one subject. The group would decide how, what, where, when and why, and also for how long. One of the groups I joined is looking at Fine Art, in all its forms, as a key to improving our own photography.
But first we had to decide what the heck is “fine art”? We’ve had several animated discussions in the past few months, even a field trip to our local art gallery. In the past, I’ve written about photography as art and thought that experience would help, but no. For all the “deep diving” on this subject, I’m not really much further ahead. Why is this so hard? Continue reading “On the Hunt for Fine Art”
I’ve set myself a goal for the next year to become more proficient at Photoshop. I use a variety of editing tools now, most of which are slider-based. You move a slider and watch what happens on the screen. The sliders in most applications are laid out in a nice orderly fashion, and you can literally move from top to bottom and achieve a well-edited well-presented image.
Photoshop is not remotely like that. It’s like making pizza with every ingredient possible available to you in small containers on the kitchen counter. There is some semblance of order (Camera Raw, basic exposure adjustments, image cleanup) but once past this, the choices become ridiculously complex, with the opportunity to create whole new “flavours” of pizza by taking previously used flavours and combining them in whole new ways. No cookbooks, just imagination and an ability to reason how things might go together.
Add to that the challenge of learning something new as an older adult. We don’t absorb information the same way as we did as a child. We don’t necessarily retain it even when learned. Memory declines in uneven ways too – with muscle memory and the memory of physically doing things changing at rates different from the memory of reciting things or recollection. So I’m not only setting a goal but trying to find the best method to accomplish it. Continue reading “Getting Inside My Head – Learning New Things When Older”
Just a quick note to wish everyone a very happy New Year. It’s hard to believe we are at the start of the third decade of the millennium. I still remember where I was and the worries of throwing the switch on the year 2000, when it was expected that everything electronic would meet an untimely end. It didn’t and our lives have improved (or worsened, depending on your point of view) for all that technology has brought us.
The first iPhones and tablets. Digital cameras became mainstream for consumers like you and I. Our homes became smarter and are still learning. So are our cars.
But with that comes the responsibility of managing our growth for the good of all people, indeed all life, on this planet. That we still need to work on.
May your year be full of promise and joy, and may it bring you everything you could possibly want. I thank you for your support and encouragement, and look forward to sharing more conversations with you in the weeks and months to come.
On your camera lens, you may find an inconspicuous button or buttons labelled “IS”, “OIS”, “VR” or something similar. On the newest bodies, there is no button and you don’t need to turn anything on at all – image stabilization or IS is built into the body and is just there for you all the time. What is it? It’s a wonderful technology that stabilizes the image on your sensor when you can’t stabilize yourself or your camera. We “need” stabilization to avoid a blurry image when the camera is moving. And despite our best efforts, the camera moves ALL the time.
As humans, we are biological machines. These machines are in constant motion, even if you do your best to stay still. Our hearts pump, our nerves fire, our muscles twitch. Sadly, the only way we can be perfectly still is if we are not alive.
There are also times when you have to move to get the shot – you’re tracking something, you’ve just found that perfect angle, but it’s on a branch up high in the air in the wind (not that you would climb up there), or you’re just plain in the wind and it keeps knocking you and your camera. Or you are walking and vlogging, which seems to be popular now, and we naturally shake when we walk. So what can you do? Continue reading “Image Stabilization – Your Camera Can Do What You Can’t”
I’m becoming more puzzled and concerned about new products released by hardware and software companies that invariably get poor reviews and need to be “fixed”. We’ve seen that lately in the Apple 15 inch MacBook Pro (which has been “fixed” by the 16 inch released Nov 15/19). We’ve seen that in Skylum’s Luminar 3 (which as of this writing, has been “fixed” by Luminar 4, released Nov 19/19). We’ve also seen that very recently in Adobe’s Photoshop for iPad, which as of this writing, has not yet been “fixed”, after having been essentially trashed on its release in Oct. First-release mirrorless cameras from Canon and Nikon both needed firmware “updates” (i.e. fixes). And lastly, ON1’s Photo Raw 2020, released in October, seems to have a bug that causes it to do what should be background file management tasks in the middle of a photo edit, preventing any meaningful work from getting done. As of this writing, that has not been “fixed”.
There seem to be four main factors contributing to these problems. Continue reading “We Can Fix That”
Modern digital cameras, particularly “prosumer” quality and above, include several different modes or ways of interacting with the camera settings. Although labelled differently for different manufacturers, all good cameras have modes that range from fully manual (where the photographer picks all of the settings) to fully automatic (where the camera evaluates the scene and picks the settings).
I recently found myself in a situation where the camera appeared to be picking settings for me and I couldn’t override them. It turns out that the most modern cameras don’t pick settings unless you tell them to, and will give you more and more information to help you make an informed decision about those settings. You can specify which decisions the camera should make, and which information you should receive so that you can make your own decisions. I had simply picked the wrong mode for the situation. Lesson learned. Continue reading “What Camera Mode When?”