Lots of articles are written about gear, editing software, and training for both. Lots more are written about composition – rules and tips. Lighting, time of day, angle, selecting the subject – all of these receive wide commentary from writers, vloggers and trainers alike.
I can shoot an image, I can even stage a scene. But more often than I would like, I completely blank out when I bring the raw image onto the computer. I ask myself – now what? What’s the final look I want to achieve with this image? How should I present it?
To those photographers who always know what the result will be, even before they shoot, I applaud you. I’ve listened to photographers speak of their work in exquisite detail, outlining every capture and adjustment decision and why they made it. I envy them.
I have friends who deliberately do minimal edits. I have others who retouch to the point of the original piece serving only as a framework for a piece of art. Frankly, I rarely like either extreme. So I guess I’ve made my first decision – establishing a boundary around my edits.
Why is it so hard to know what to do next? A few random thoughts come to mind. Continue reading “Knowing What To Do (with an Image)”
I’ve just returned from a two week trip to Newfoundland. If you have not been to the east coast of Canada, make a plan to go. It is an amazing experience – socially, culturally, but also photographically.
It’s my longest trip ever (yes, I lead a sheltered life) and the first time I’ve seen the Atlantic ocean (see what I mean about sheltered?). I saw and heard a lot, but also learned a lot. I’ll deal with the latter in this post. Continue reading “Lessons Learned from Two Weeks Away”
I read a lot of blogs, follow a lot of YouTube channels and subscribe to many “handy tips” postings that come into my mailbox daily. One such recent posting was from Tim Grey, a respected Photoshop expert and professional photographer.
Viewers had posted questions about the long standing belief that as you use lenses of longer and longer focal length, and compare the same scene shot through these different lenses, the apparent separation between foreground and background diminishes with focal length. In fact, this has been a long accepted “generality”, passed on from photographer to photographer, that scene “compression” occurs with telephoto lenses. But as with many things, the details get somewhat “blurry” (pardon the pun) and the specifics of the effect are often not explained. Continue reading “Scene Compression Uncompressed”
I wish Adobe would call in a Communications Specialist to help them rename their products. It’s Marketing 101. Product names should reflect what the company expects users to do with the product and what users expect of the product – to provide an easy way to recognize and develop brand loyalty to that product.
Instead, we have Lightroom “Classic” and Lightroom “CC”, which gives absolutely no help in understanding the difference in the products and how they can be used separately or together for an amazing workflow. This post is about what I’ve discovered ON MY OWN around how these products can be used together. I’ve also given them new names. Continue reading “Combining Lightroom Online with Lightroom Desktop”
In the last three weeks, I’ve been the busiest I’ve ever been since taking up this interest in photography. Has it made me a lot of money? Sadly, no. But I’m still happy with the outcome. So what have I done?
Continue reading “My Busy Few Weeks”
Reports have surfaced in the last couple of days that Adobe may soon be making a pricing change to its photography plan offerings.
Some country-specific sites have started seeing new pricing and new configurations of options, including subscribers in the United States. It doesn’t appear that this “test” has been applied to the Canadian market. Continue reading “Here We Go – Adobe “Tests” Price Increase”
The courts, particularly in the United States, set new precedent every day. A lot of those decisions relate to who should benefit from what transaction and how much.
And here’s the disclaimer: this is not a legal opinion or even a legal review. It’s a commentary on a specific example of legal precedent as related to photography.
Just as copyright law and precedent is solidifying and establishing boundaries for photographers’ rights, some court rulings open the opposite door, establishing precedent that illustrates when a photograph can be used without permission or compensation. Where do you sit on this issue? Continue reading “When Fair Use Isn’t Fair”