Photography as Art

ScotiabankApril and May are the traditional kickoff months for photography festivals in this area.  Many photographers, themes and collections are on display.  So many, in fact, that viewing all of their work is impossible, and isolating favourities can be challenging.

In a recent excursion, I participated in a discussion of photography as art.  The premise was that in order to be noticed, you can’t just be a photographer – you need to be an artist.  You need to give your photographs a distinctive look, a distinctive emotional connection to the viewer.  This means going beyond just documenting a subject – it means creating a work of art.  And this isn’t new – all successful photographers have realized and operated on this basis since the days of pinhole cameras.

This leaves me wondering.  If photography must be art to be successful, is there a point where a photograph is no longer a photograph?  And where is that line?  The answer isn’t obvious.  Here’s why…

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Is Nature Ever Natural?

In two weeks, my local photography club, the Oshawa Camera Club, will be holding a discussion and vote.  The subject:  how natural should nature photography be?  Club competition rules for the nature category are currently strict, limiting almost all evidence of “hand of man” and requiring that the image be a documentary of the subject in their natural environment.  But today’s sophisticated software opens the door to edits that are routinely applied in other categories, so why not here?  Here’s the debate… Continue reading

To Print or Not to Print, That is the Question

We didn’t learn about printing photographs during my training in digital photography.  Some of you might say “What did you expect, it was a DIGITAL photography course?”

Good point.  But I always felt there was something missing in my training and I recently attended a two day course on printing photographs.  It opened my eyes to the value of a hardcopy print.  Here’s why. Continue reading

Light Painting with Patrick Rochon

I had the pleasure yesterday of attending a presentation by Patrick Rochon, also known as Patrick the Light Painter.  There are many ways to express one’s creativity in photography and Patrick has chosen light as the medium for his expression.  You might wonder what’s unique about that, since every photographer uses light.  It’s how he uses it that sets him apart. Continue reading

Seeing Like the Camera – My First Year as a Photographer

As the next college year approaches, I’ve been thinking about what I’ve learned so far about photography, both in and out of the classroom.  All the technical and operational basics, for sure, along with lots of creative details that more experience and practice will make stronger.  It’s been a great year. Continue reading

The Pixelstick

A few days ago, I joined a group of enthusiastic photographers at the Port Perry waterfront to try out a new device.  It’s called “The Pixelstick“.  It’s a device that takes light painting to the next level.  It uses a long wand-like structure attached to a digital memory to essentially scroll bands of light or fully formed images across space as you move it.

Lights in the Park

Lights in the Park

 

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No More Pencils (Keyboards), No More Books (MacBooks)…

This week, I wrapped up my first year of college, studying Digital Photography.  Actually, that label is a bit of a misnomer:  the first semester was digital photography, the second, most recent was digital video.  I learned an incredible amount, even if I did struggle a bit to maintain my focus (pardon the pun) in this most recent semester. Continue reading